In the 17th and 18th century, the two main types of art were Baroque and Rococo. In art, Baroque is used to describe something bizarre or irregular. Baroque art was very complex and grand. It displayed exuberance, naturalism, and classicism. The art mirrored the dynamic energy of the time period, and differed from many of the previously established rules. Caravaggio was one of the most influential artists during this time and below is one of his paintings.
The next major art type was Rococo. It developed in Paris, France and was very light and elegant. The ornate style used mostly gold and white colors. It displayed many fanciful curves based on "c" and "s" shapes. Many sculptures in this time used porcelain and silver. The Rococo design was commonly used in entire rooms and included elegant furniture, small sculptures, and framed mirrors. Below is an example of Rococo design in the Basilica at Ottobeuren.
Both of these art forms showed magnificence and power of the owner. They also evoked a lot of emotion from those that viewed them. However, following these art periods were Romanticism, modern art, and eventually contemporary art. The word contemporary means belonging to or occurring during the present. Contemporary art is the most recent art period, and it consists of work on all sorts of unusual mediums. Some mediums that have been used are trash, colored pencils, poker chips, post it notes, chewing gum, cassette tapes, and even bathtubs. The paintings also strayed away from the usual human and nature paintings and became much more abstract. However, despite being much more abstract, contemporary art has been much more socially conscious that any other era preceding it. It has been used to take stands on societal issues such as feminism, gay rights, AIDS, and racism. For example, in class we discussed the DIA painting, Officer of the Hussars, and it clearly discusses the issue of racism. Art has changed so much over the years, and it is going to be very exciting waiting to see what it changes to in the future.
